Why are you an artist?
I love to draw, I love to paint and I love to create things. I don’t like to sit doing nothing. Creating something is to me better than other things, it’s the best thing I can do.
How did you get into art?
I always drew as a child, always made things in an amateurish sort of way. I can remember getting some fabric when I was eleven and I made a dress for my sister from this spotty fabric. That was the first thing I made sewing wise. But drawing, I have always drawn. Loved it. But I never had the opportunity until I was in my fifties to take it seriously.
I did an A’ level and then got head-hunted to go to De Monfort University for a Foundation course, which I didn’t finish because of health reasons. It’s just developed from that. The group (Studio 51) that come to paint here, we’ve all been to classes, day and night classes, etc. You get to a point where they can’t teach you anymore and where do you go from here? We decided to form a group where we all put questions in a box pull a question out and we’ve all got to have a go at that challenge. Everybody does it very individually, in their own way.
What is your background and how has it helped you where you are today?
My first job was as a tracer in a drawing office, that’s the closest I could get to doing anything with my hands. I’ve done lots of jobs, but the best one that’s helped me now is being a picture framer. You get to look at a lot of art and a lot of people’s work and you learn to frame it and what best suits the picture. That’s been the most useful thing.
What artists do you admire and who has influenced you and why?
Frido Kahlo, because she didn’t copy anything. She painted her life and the things that happened to her. Gustav Klimt. I absolutely love the colours and texture. I love everything about his work. Salvador Dali, just because of his technical skill and the weirdness and quirkiness of it all. I think I’m drawn to surrealist work. Escher as well. His work is quite mysterious. I’m not drawn to straight forward stuff.
I have done Dali projects with the group. Prior to getting into Dali, I was doing a bit of surrealist stuff on my own. I’ve got distracted by other things, but I would like to get back to it.
What inspires you to paint and how do you keep motivated when things get tough in the studio?
Everything around me inspires me, discovering things. When I look at something it’s just an object, but when I draw it, it has a whole new dimension. You can learn about it.
If things get tough in the studio, I stop and have a cup of coffee! Usually if I’m stuck I’ll stop and do something else, then go back to it when I’ve renewed my motivation.
What is your starting point for a piece of work?
Usually the thing it’s self, that says paint me or draw me. I’m inspired by it so I need to do it. I’ll think about it first and the best way to do it and do some thumbnail sketches to get the best composition.
What are you trying to achieve at the moment in your work?
I’m working mainly with colour and texture at the moment, but it’s always something new, something I haven’t done before. A different way of doing things, because I experiment a lot with different media and different methods of working. I’m always thinking I can do better and keep going and going.
What other interests do you have besides painting?
Writing, I’ve always written poetry. I do a bit of dressmaking. Lots of creative sewing and embroidery. I love to cook, particularly cakes! I also like reading, but mainly art books.
How have you handled the business side of being an artist?
I haven’t really handled it at all. We started doing exhibitions as a group and other exhibitions followed on from that. At the beginning it was a joint effort and everybody had an input from the group, not so much to market ourselves, but to interest other people and motivate them to get a hobby. Not necessarily art, but something that interested them to go ahead and do it!
We do promote our work and enter exhibitions, but the business side of it doesn’t really apply to me. It’s not so important for me.
What goals do you have and where do you want to be with your work in the future?
In an ideal world I’d like a nice big studio with lots of people to come and paint and swap ideas. That would be wonderful. Just to get better at what I do. To do something different, to develop a style that people will think ‘oh, that’s so and so.’ I don’t feel I have my own style at the moment because I do too many different things.
What advice would you give to an artist just starting out?Never give up. Keep going. An art teacher once said to me if you fall down seven times, get up eight! Practise makes perfect. You never get perfect, but you’ve got to keep going, until you’re happy enough with what you’ve done, enough to put it in a frame.
Christine Ross can be contacted by email at rossy@willsy27.wanadoo.co.ukAnyone interested in joining the Leicester Sketch Club, needs to submit three pieces of work to go before the committee, who decide whether you will be accepted. You are always welcome to apply the next year if you have been unsuccessful. The application process takes place once a year in April. The club is based in Leicester and was established in 1898.
To apply please write to:
The Leicester Sketch Club
Michael Haswell
28 Burton Road
Ashby de la Zouche
Leicestershire
For more information visit
http://www.members.tripod.com/leicestersketchclub/ or email
mike.haswell@tinyworld.co.ukGallery 3
19 The Parade (through Tippetts Florist)
Oadby
Leicester
LE2 5BB
0116 2712443
The Richard Attenborough Centre
University of Leicester
Lancaster Road
Leicester
LE1 7HA
0116 2522455
http://www.le.ac.uk/racentre/